Writing Tips

10 Most Common Writing Mistakes






Introduction:

All writers make mistakes, but how can we identify what to do and what not to? In this article, I’ll do my best to exemplify some of the things that all fiction writers should avoid.

Common Writing Mistakes:

1. Making excuses.

The world is full of people who have the potential to be great writers. Unfortunately they never reach that goal, because they’re too busy making excuses. The fact is: writers write. They don’t sit around and wait for ideas to come, they make them come. So:

-Don’t procrastinate.

-Don’t give up because you were rejected by a publisher.

-Don’t give up because of harsh criticism… from anyone.

-Don’t wait for inspiration to come, seek it out. (Don’t give in to writers block.)

-Don’t pretend that you’re too old, or to young to start. There is no correct age to write.

-Don’t blame others for lack of time.

-Don’t let exhaustion stop you from writing.

-Don’t pretend that your writing isn’t good enough. You’re not going to get any better by not writing.

-Don’t make excuses.

2. Expecting miracles.

It takes time to become a successful writer. It takes persistence, doggedness, and hard work. Don’t expect to write a best seller only a year after you start writing. While this may occur with a lucky few, it’s not the reality for most. It takes practice to become a great writer. Furthermore, nobody will ever be a perfect writer. Writing is a craft that requires constant practice, and a writer can only ever get better.

So, write a lot, and be persistent with publishers, agents, etc. Don’t let fear or rejection get you down, you can only get better. Work hard, and you’ll be well on your way to becoming a successful writer.

3. Starting slow.

Why start a story out slow, when you can captivate your audience from the very beginning? The reality is, you’re not going to suck the reader into your story by providing them with a static description of the scene in which the story is taking place. And you aren’t going to capture their interest by setting up the story with a history lesson, describing the characters past.

Many readers will put down the book if the very first sentence doesn’t capture their attention.

So, start the story right away. Dive right in. Don’t hesitate, readers (and editors) are impatient. Begin with an inciting event. A threat, or a moment of fear. For instance, if the main character has a knife to his throat in the very first sentence or paragraph, the reader is far more likely to stick around.

4. Flowery descriptions.

Don’t get me wrong, description is an important element in fiction writing. However, if you over describe you’re likely to lose your readers in a sea of lavish words. Every writer needs to keep this in mind: a story should constantly move. Lengthy descriptions with flowery writing stop the story, and readers stop too. Keep your writing simple, and your readers will stick around longer.

5. Losing cause.

One thing that fiction writers often lose sight of is the fact that they have to be honest. They have to be true to the characters and true to the story line. The story has to be believable, even though it’s fiction. Don’t make anything happen in your story without a reason. If there’s any event in your story that’s not relevant to the story line or true to your characters, delete it. If you don’t, your story will lose credibility. Your readers will sense that, and stop reading.

6. Using real people in your story.

While it’s true that you have to make your characters as real as you possibly can, don’t use real people in your story. Real people don’t often come across as vivid, interesting characters. This is because characters have to be a little exaggerated. Characters need some kind of stand-outish trait that will force the reader to take interest. They need traits that will allow the reader to sympathize with them. But, don’t go overboard. The character still needs to be believable and relateable. Most importantly, stay honest to that character once you’ve created him.

7. Fearing the word “said”.

Writers often avoid the word “said” because it can reappear frequently in large dialogue sequences. Don’t. When writing dialogue, “said” should be used at least ninety percent of the time. If you’re filling your dialogue with unnecessary words such as “soothed”, “sighed”, “breathed”, or something even worse, such as: “breathed soothingly”, you’ll only distract your readers. Unless it’s absolutely necessary to illustrate that your character is shouting (honestly, shouting can usually be represented with an exclamation point), whispering, or asking something, use the word “said”.

No writer should need to use anything else, because the dialogue should speak for itself. The dialogue will ultimately be stronger without flowery words.

8. Avoiding conflict.

No matter what genre you’re writing in, don’t avoid conflict. Conflict makes the story interesting. A story without conflict (for instance, a story about an old lady sitting in a rocking chair, and looking at the scenery is hardly interesting. Unless, of course, she plays witness to some sort of conflict happening in the distance, or right in front of her.). Without conflict your story will be about nothing. Nothing except description. And, sadly, as interesting as your description may be, it probably won’t be enough to keep the reader hooked.

9. Lecturing the reader.

Never, under any circumstances, should a writer throw a slew of facts into the readers face. If at any point in your story the reader feels as if he’s being lectured, you’re doing something wrong. A story is not an essay. If there’s something you need your readers to know, find a way to do it while remaining true to the characters’ viewpoint. Integrate this information into the story. You can achieve this by making an event in the story trigger this information. Your character might be remembering it, for instance.

10. Losing sight of viewpoint.

Don’t forget whose story you’re telling. Or, who’s telling the story. Viewpoint is a very important element of fiction writing. So, whose story are you telling? Once you figure that out, you’ll have your main character. Once you know that, stick to that characters story, and don’t lose sight of it. After that, your reader should be able to experience everything in that story the way the main character sees it.

 

Post by:  Savanna Y Lujan

Share This Post

Be the first to comment - What do you think?
Posted by forgotmypen - March 24, 2012 at 7:19 pm

Categories: Writing Tips   Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Rewrite Your Story: How to Know When to Stop






Introduction:

I’m speaking from personal experience when I say that rewriting a beloved story can get addicting. There’s one fiction novel in particular that I’ve been working on for a total of seven years, and it’s still not complete. While this is partly due to “laziness”, and “life”, it has more to do with the fact that I’m never happy with it. My first, and maybe even second rewrite was probably justified, but as I grew older and built relationships with new people, the story kept changing. Every time the story changed I would start a new draft.

This isn’t a terrible thing. The evolution of a story is good, even necessary. In all the years of rewriting, that story has transformed from something average into something meaningful and grand. But there’s one problem: I haven’t finished it. If I keep rewriting it instead of settling for one version of the story, it’ll never be finished. This wonderful story will never be read, by anyone.

The Perfect Number of Drafts

The answer is three. After three drafts, your story or fiction novel should be finely polished. The only exception to this rule occurs when an editor or publisher asks you to write a fourth. The key to doing this lies in focusing on the right things in the right drafts.

The First Draft:

The very first draft is your rough draft. In this draft, the only thing you should worry about is the story. In order to keep your story moving forward, you also have to keep your hand moving. It can be tempting to constantly look back at the first paragraph, wondering how to improve it. The most important thing to do in the first draft is to focus on what happens next; what is currently happening in the story. Focusing on past pages and paragraphs will hinder your focus, and your progress.

Write with the door closed, with as little distractions as possible, as fast as you possibly can. Write the story quickly, and put the words down exactly as they come into your mind. This helps to eliminate self-doubt, and to keep you optimistic throughout the entire writing process. During the first draft, don’t take any help or advice from anyone else. In fact, you should be the only one to see your first draft until it’s finished.

Essentially, the most important task in the first draft is finishing the material, and getting the story down on paper. The story is the most important thing. Corrections to grammar, punctuation, and spelling will come later.

The Second Draft:

Once you’ve finished your first draft, it’s good to take a long break from your story or fiction novel. This amount of time varies on the author, but, a month is usually sufficient. The way to know for sure if it’s time to start on your second draft is based solely on whether or not you’re still thinking about it. If you’re still thinking about the plot, and what might need to be fixed, you aren’t ready to start on your second draft. This helps you to look at your story objectively, as if you’re looking at someone else’s work.

Once you’re ready to start on your second draft, get as much done in one sitting as you can. If it’s possible to pump the entire second draft out in one sitting, do that. If not, get it done in as few sitting’s as possible.

If you find any major problems with your story, don’t get upset about it. Don’t get emotionally involved, simply fix the problem and move on. Just as you would with someone else’s work.

Do your best to focus on holes in the story, scenes that could be improved. This is where you add content (if necessary), and revise the story. As you run across spelling, grammar, or punctuation problems, do your best to fix them.

The Third Draft:

The third draft is the polishing draft, and the final draft. This is the last time you look at your story, where you fix anything you might have missed when writing your second draft. This could include typo’s, grammar errors, or anything that you might have missed.

Also, after the second draft it’s not a bad idea to allow friends and family to take a look at it. (Or, frankly, anyone you feel comfortable sharing your writing with). During the third draft you’ll make any revisions that another set of eyes may have pointed out. Keep in mind that, as the author, you don’t have to make every change that your second pair of eyes sees. However, another person is likely to find errors in the story that you may not have noticed yourself. Generally, it’s good to have more then one other person look at your story. Different people will see different things. If more then one person sees a problem, you’ll likely have to fix it in the third draft.

Quick Note:

Rewriting can get addicting, but after a certain amount of rewrite‘s, it becomes a form of procrastination. It’s usually fear that keeps you from completing that story, and taking the next step–submitting it to a publisher. Don’t let fear stop you, do the necessary amount of revisions/rewrite’s, and then call it finished. Submit it into a publisher, and then move onto your next work.

The writing and revision process varies with every author, this is just what I recommend. Adapt it if you must, and find what works best for you. But, whatever you do, don’t spend years rewriting a single story. At some point it has to be done with.

What do you think? What’s your revision process? Feel free to share in the comments.

Share This Post

Be the first to comment - What do you think?
Posted by forgotmypen - March 5, 2012 at 7:42 pm

Categories: Writing Tips   Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Goal Setting for Writers






As writers we often have a difficult time setting goals. It may be that we set goals and then forget about them, set are goals too high, or we don’t set goals at all. Regardless, goals can be extremely helpful on the road to getting published. Listed are various tips to help you get started. If you have any questions, feel free to ask in the comments section.

Goal setting tips:

1. Making Lists

Lists can be extremely helpful. I think it’s important to make two.

A. List number one:

This is how goal-setting begins. Consider your past projects, and make a list of them. If you need to look at your records to remember them all, do that.
What inspired you to start these projects? What did you like about working on these projects? Have you finished them–and if so, have you submitted them to publishers?

B. List number two:

This is your “Incomplete” list. Make a list of all you uncompleted projects, maybe even complete projects that you have yet to submit to a publisher. Decide why you have yet to finish these projects, and if you’re interested in completing them.

2. Be Realistic:

Set goals that can be accomplished.
This is harder than it sounds, particularly for writers trying to make it in the industry. I myself have a tendency of setting my goals way too high. There’s an easy way to beat this: Pay close attention to how much you regularly produce, and use that as a guideline when you’re making your short-term goals.

Long-term goals aren’t much different, except that they can generally be as large as you’d like. The key to setting a good long-term goal is giving yourself a realistic time frame in which to complete it. For instance, if right out of high-school you say “I’m going to be a famous author by next year”… it’s not necessarily realistic. It’s extremely hard to accomplish. However “I’m going to have two books published 4 years from now” is a little more do-able. Still difficult, but do-able.

3. Find what works best for you:

Sometimes setting the right goals takes a little experimentation.
For example, I used to have a goal to write 1 page per day. I did it for maybe 3 days before I moved on to other things. Later a changed that goal to 3 sentences or more per day, which provides great initiative for me to write each day. It’s different with every writer, so experiment until you find what’s best for you.

4. Setting your goals:

A. Past failures:

Look at your lists from before. Before you start setting goals, consider which projects gave you the most trouble, and why. With the right goals, you may be able to bypass those problems. Try to consider which types of goals would help you complete those “incomplete’s”.

B. Decisions.

Of the projects that you’ve written down, which did you like writing the most? Which would you like to finish? Rewrite? Publish? Make a goal to complete these projects, just make sure you choose the right goal and the right workflow per project. Whatever you do, don’t take on too many at once.

C. New tasks.

Many writers have new ideas running through their heads all the time. Sometimes it’s best to write those ideas down, and wait until the right time. Otherwise, you’ll always be starting new projects, which isn’t necessarily a good thing–that often leads to a brand new pile of “incomplete’s”. (This is the curse of the artist.)

However, some of these projects are more than an idea. It might be a short story/poem that you’d like to enter into a contest, or an article that you’d like to get published. Projects like these often rank high on our list of priorities.

5. Know your priorities:

By now, you probably have a large list of projects that you’d like to complete. As mentioned before, don’t overwork yourself, and don’t set your goals to high. This often results in disappointment, we may be writers but we’re still human. It will take some time to complete these projects. The key here is prioritizing. Consider which projects will benefit you the most, and which ones will ultimately take you to your long-term goals. These should be at the top of your list.

6. Make your goals work for you:

A. Track your progress:

Write down what your working on, and how long it takes to complete it.

B. Find a “mentor”:

Find someone to share your goals with, and have them periodically check up on you to see how your progressing.

C. First draft:

When you’re trying to rapidly pump out projects, don’t concern yourself to heavily with quality. At least not on your first draft. Editing comes later. Often times, writers won’t finish projects because they’re too busy editing as they write. The “Editor” and the “Writer” are two different mindsets.

D. Re-evaluation:

Periodically re-evaluate your goals, see if they’re working for you, and if you need to set any new goals.

As writers, goal-setting can be difficult, but hopefully this will help. What goals do you have? Are they long-term? Short-term? Feel free to comment, I’d love to hear!

Share This Post

1 comment - What do you think?
Posted by forgotmypen - December 9, 2011 at 7:52 pm

Categories: Writing Tips   Tags: , , , , , , , , , , , , , , ,

Next Page »